At University, Watanabe begins a tumultuous relationship with Naoko, whose ex-, and Watanabe’s friend, unexpectedly committed suicide while the three were at high-school. After Naoko withdraws to a spiritual retreat in the mountains, suffering some unknown psychological affliction, Watanabe embarks, haltingly, on another relationship with fellow student Midori. A poignant tale which touches on both the terror of pre-destination and the oft-times confused relationship between romantic and physical love.
The film depicts Watanabe’s journey to adulthood thoughtfully, lingering over a word or a look in silence. The use of metaphor is striking, with weather, from rushing winds to frozen winters, giving scenes a power beyond words. The acting too is passionate and sincere.
Capturing the feeling of helplessness, that time is moving unerringly forward and our fate’s dependence on others, that love and sex are sometimes incomparable forces, the film exudes a tragic beauty, being at once a warning to, and celebration of adolescence.
Based on a novel by Haruki Murakami.